Later the next year, I'd start releasing tapes for friends' bands, and what began as an umbrella to house all my own creations became one for a lot of my homies as well.
Tapes are sick. Preservation of music in any form of physical media is especially important in a day and age of fleeting session files, compatibility, etc. Owning the rights to other's creations & royalties, to me, is not. Certainly not why I started or continue to run this label. It's pretty simple:
Forever Ending Records operates on a nonprofit distribution model in which the artist covers the cost of raw materials (blank tapes, cases, J-card printing) and I handle the labor for free. Artists make every dime in return from their physical & digital releases, and are encouraged full creative control over the direction, distribution & ownership of their music.
With thirty-eight releases & counting, I'm grateful to get to host a platform for other like-minded artists to navigate their own trajectory & thrive independently. Not only do I not wanna handle all that shit for your band—I can't stress enough how important it is for creatives to knowledgeably own & access their shit. Educate yourself a bit before jumping the gun & signing away your life's work with these predatory ass companies.